Review: Mardock Scramble, Vol. 1

When Kodansha Comics popped onto the scene, replacing Del Rey and making huge plans for increased frequency of releases and new series making it to print, I was fairly excited. Obviously it was upsetting that Del Rey had mostly been cut from the picture, but it was my hope that this change would lead to some great new content being released. For the most part, I have been underwhelmed, due in large part to the fact that I am not the average manga consumer, and I still don’t have new volumes of Nodame Cantibile (which, face it, is a lost cause).

Kodansha has made a lot of safe bets with the titles it is currently publishing (besides the ever-befuddling Sayonara Zetsubo Sensei!) and one of these safe bets is Mardock Scramble, a manga based of a 700-page “cyber punk noir thriller” novel recently published in English by Viz Media‘s Haikasoru imprint. Importantly, both the manga and book were written by the same person, so the hope is that the transition from novel to illustration would at least be faithful to the original book. I had all but decided not to purchase the title when a few bloggers I follow fairly closely said that it was a fun read – so I decided to bite.

Mardock Scramble follows a young girl named Rune Balot (the most irritating name for a protagonist ever) who has been forced into prostitution and is inexplicably found, revitalized, and subsequently murdered by a man named Shell. Rune, in the hands of the reaper, is saved by two private detectives, Dr. Easter, and a shape-shifting weapon that calls itself Oeufcoque and takes the form of a yellow mouse. She is saved by a mostly illegal experimental procedure called “Mardock Scramble 09″ (yes, I realize this gets more ridiculous as I type), and now has the power to interface with all manner of electronic devices. The main focus of this first novel is whether Rune feels that her new life is worth living, after being broken down so thoroughly by her past, or if she should help Dr. Easter and Oeufcoque deliver Shell to justice.

If I had to describe Mardock Scramble in one word, that word would be “fluffy,” which is an odd word for describing a gritty sci-fi action thriller like Mardock Scramble. We see Rune run through the ringer, only to be brought back to life and made into some sort of superhuman weapon, and it’s all very cheery and “wow, look at how much power she has,” in a typical shonen way. Rune is a victim of poor circumstance, and her trials and tribulations are laid out to give her excuses to do certain things, but the pain or the sadness is very gimmicky. As a reader, I want well developed characters to go with my action, and Rune is a few clichés pasted onto a black-haired girl. The content of Mardock Scramble takes a backseat to cool explosions and artistic flourishes, and while that can be entertaining, it certainly isn’t compelling. It is this “style over substance,” storytelling that turns me off to works like Mardock Scramble.

To add to that mix, Rune is a doormat character, and her trauma and sadness are not well explained, so she ends up looking like a broken doll rather than a person battling with depression and issues of self-worth. The book is so busy with its upgrades that it essentially overrides Rune’s emotional crisis after a few short scenes. The other main character, Oeufcoque the mouse/weapon, is played as both comic relief and a Yoda-like benevolent teacher, leading Rune through her problems while enjoying a good pistachio. It’s not really clear what roll Oeufcoque and his friend, Dr. Easter, play in this series, but they break the action up a little bit, and that’s a welcome change from the rest of this first volume.

The art of Mardock Scramble is fairly well done, but there’s an unpolished feel to it that nags at me. The style, which is grungy, a little dirty, and futuristic, hits the right tone for the story, but there are some inconsistencies with the way people are drawn (faces with misaligned eyes, abnormally long arms and legs) that seem to get less and less noticeable as you progress through the book. Page layouts in Mardock Scramble are excellent in comparison to other books in the same genre, and Mardock Scramble reads very easily because of it. If anything is this book’s saving grace, it is that it is a quick, well composed read, so unless you are looking specifically to evaluate the work in a critical, some of the misgivings I have about it may be easily overlooked.

Overall, I think Mardock Scramble will be a great read for teens who like action and sci-fi, but I think those who are looking for a bit of manga popcorn to munch on will like Mardock Scramble the most. For my tastes, I want Mardock Scramble to have more substance than it currently has. This may change in the second volume, but from the parting scenes of volume one, I would have to sit through another chase scene, and to be honest, I have seen enough of those to last a lifetime. While Mardock Scramble isn’t the worst work I have read in the genre, and certainly manages to get the pacing and flow of reading absolutely right, I doubt I will be back for volume 2.

Where All The Good Books At? My My Appraisal of Kodansha’s Release Slate

When Kodansha first announced their slate of series that would be released this summer, I was excited. Here was a new company taking over from Del Rey, and since the manga was coming straight from the publisher, it would be easier to get more obscure titles, more josei and seinen, and other manga oddities into print. I was excited to see some of the work from Morning and Afternoon, and I was hopeful that Kodansha would exceed my expectations of Del Rey acting in their stead.

They released their announcements list in mid-December, and since then I’ve been doing a fair bit of investigation into Kodansha‘s announced title list. There are a few titles that were getting reprinting (which I will get to in a minute), but there were a slew of new titles that I had never heard of. Let’s take a second to review what we know (and my first impressions).

Cage of Eden and Bloody Monday, (two series I’ve already done workups on) look to be some of the stereotypical manga that Del Rey is/was known for; overly complicated shonen titles with plenty of fan service (see Negima!, in comparison). Both Bloody Monday and Cage of Eden promise something other than the shonen stories that dominate Viz‘s Shonen Jump lineup, but that does not necessarily make them good reading.

Little information is available about two of Kodansha‘s other series, Deltora Quest and Mardock Scramble. Deltora Quest is a completed ten volume shonen fantasy about an Evil Shadow Lord, Seven Magic Seals, and the giant battle between GOOD AND EVIL, which honestly just sounds like a bad The Dark Is Rising. Mardock Scramble is a bit of an enigma, since its promise of cyberpunk noir seems at least a bit more interesting than a bad redo of a Susan Cooper novel, but information is scant. We do know that Viz‘s Haikasoru imprint printed the novel this manga is based on. However, my experience with adaptations of previous series seems to indicate that this will probably not be all that great.

Other titles are similarly uninteresting. Animal Land by Mokoto Raiku, the author of Zatch Bell, looks pretty poor. I wasn’t a fan of Zatch Bell, and I doubt that this series will get much traction in the shonen community. Another Pheonix Wright, Ace Attorney manga is also going to print. Weeeeeee.

Monster Hunter Orage is probably the most interesting of the series announced, but only because it is written by Hiro Mashima, the author of Fairy Tail.

Until the Full Moon, which is a boy/boy romance about a half vampire/half werewolf is getting a reprint. It was originally printed by Broccoli Books back in 2005, with excellent production values and a high price tag. I’m not sure what this reprint is supposed to represent, but it is one of the only shojo series that Kodansha announced in December. I am sure that some look at Broccoli‘s releases with fondness, but that was quite some time ago. Many new manga readers have never even heard of Broccoli Books. While I am happy to see Kodansha bring back this title, which is both bizarre and interesting, I don’t know how well its old-school art will be handled by a new audience.

Likewise, it is good to see Gon getting reprinted, but this will be the third time the series has been printed, and there’s only so much Gon a guy can take.

If you couldn’t tell already, I am not that impressed with Kodansha‘s announced releases. They all seem like fine titles for a certain crowd, and I’m sure that they will sell copies. I just don’t see a whole lot of value in them.

I haven’t read any of these announced series, and so I can’t doom them to mediocrity immediately. It is not as if these series are all going to be bad, but all of them are very… predictable. In a shrinking market where all series need to pay for their costs, printing “safe” series makes for an adequate return on investment, and I suppose that’s what the business of comics is all about. Unlike Viz, which has Pokemon, Naruto, and Bleach to give them some extra funds with which to print more experimental titles, Kodansha does not have that built up business. Theoretically, they don’t have as much financial room to work with. Realistically, Kodansha can publish whatever it pleases, but we are discussing business here, and Kodansha is not necessarily in the “make Alex happy” business.

Kodansha has time to develop its properties and generate some sales this summer. I think it’s probably a bit hasty to ask them for miracles as soon as they come out of the gates – at the same time, if Kodansha is going to just print the same old Del Rey manga, there’s no reason to get excited about them printing titles like Drops of God or Saint Young Men.

Note: Thankfully, we have publishers like Vertical Inc. to publish Drops of God! Check out my reaction here!

Still, comics like Saint Young Men are the reason why I was excited that Kodansha was starting its own imprint in the USA to begin with. I suppose my expectations are a bit too high. I wanted more complex, adult series to be released here in the States, and I am a bit disappointed that we don’t have any evidence of that yet from Kodansha.