Gen Manga: Raw and Unfettered

It seems I have been talking about digital comics quite a bit recently. My evaluations of JManga and a recent Manga Out Loud podcast, as well as my experiences with Viz Media’s manga app for iPad and iPhone, have been changing the way that I read comic books and the way I understand the content. If you had asked me whether or not I would be reading manga digitally three years ago, the only “digital” you could really mean was scanlations, so I would have answered with a resounding no. But now, there are multiple platforms to read manga on and purchase manga in, some more successful than others. I find myself looking at these new content delivery systems as a sort of wave of the future. There are series which I now only follow in digital, and digital comics are more and more a part of my reading experience. Gen Manga is also changing that reading experience.

Gen Manga is a relatively new monthly subscription service from Gen Manga Entertainment which offers chapters of manga of various styles and content structures. This manga is essentially doujinshi written and published first by Gen Manga, so the translation, cleaning, and lettering for the English language are done before the comic is even published for Japanese readers. So there is this sort of mix between doujinshi and what are essentially comics written by Japanese amateur authors for American readers. I will not venture to guess what kind of business model makes this possible, but Gen Manga has been releasing an issue every month and has 3 of the 5 issues available for purchase in print form.

One of the selling points of Gen Manga is the way that content is accessed and delivered. The website is slick and very functional, with a minimal amount of clicks to reach content. All comics are available at all times to read and download, so unlike Yen Plus, you can get the entire backstory and read every single volume currently released. Best of all, comics can be downloaded in PDF format and taken on the go, which is great for people who want mobile content.

Each volume clocks in at approximately 140 pages of content, which, for a monthly subscription of $2.99, is actually quite a steal (you pay how much for Ultimate Spiderman?). There are generally four to five series in each volume; consistently the base content of four different series, and in volumes 4 and 5, a one-shot in addition to the base content.

The four base series are:

Wolf: A boxing manga about a young upstart who wants to beat his father, a retired pro-boxer, in the ring, after he runs away from his family. At first, I thought Wolf was some of the worst written of the crew, but it is developing like a sports manga should, and there have been some good regrouping scenes in the past two volumes that have propped up the series quite a bit. It moves quickly, so don’t expect Adachi’s snail pace – still, it would be nice to see a little character development.

VS Aliens: Suspense/Romance/Sci-Fi story about aliens, crushes, etc. The art style is reminiscent of K-On! and The Melancholy of Haruhi Suzumiya, and plays to the audiences that like those books. VS Aliens is my least favorite of the series from Gen Manga, mostly because the story is just a backdrop for cute talking heads to, well, be cute and talk. The premise is interesting, but goes wacko in Volume 4-5, and not in a good way – just that same tropiness I expect from manga like this.

Kamen: Pretty standard seinen action manga with roots in fantasy and feudal Japanese history. There’s a talking mask, a super-powerful guy, and some evil guys. You can pretty much guess what happens. It’s mindless fun, but it is probably the best illustrated of the four base titles, and has enough action and suspense that you can get over some of the stodgy dialogue.

Souls: A horror/suspense story that feels like Time and Again, but with a much different focus and art style. I read the first two volumes of this one, and I don’t follow it closely – Souls could be fabulous, but I very much disliked Time and Again and my reaction to this is very similar.

The content itself is a little rough around the edges. The editorial direction is assuredly much different here than in other more established publishers, so it feels as though some of the rawness is inherent in the system, which can be quite interesting, if done correctly. Still, having doujinshi writers as your main talent, which can be quite a boon, can also be a stumbling block if the writers and illustrators are new to the art of storytelling and composition in regards to manga. You can see some of this in Gen Manga, because some of the stories move forward in a very awkward way, and it is clear that some of the authors are still learning the trade of making manga. Still, the content is starting to grow on me. Gen is very raw, and for that, it can get by with some of its flaws (for now) because it’s evidently a work in progress. The one-shot series Sorako and Alive are some of my favorite pieces published yet, so I am looking forward to more of the same type of content and maybe even continuations of those stories.

Gen Manga is certainly a step away from the norm. It functions as a gateway between the US and Japan that delivers new content and puts the reader in a very fun and unique situation. I look forward to seeing Gen Manga mature and grow as a content delivery service, and I feel that it represents a new way to view foreign content. Regardless of its longevity, it is an interesting experiment and certainly worth the effort.

Review copies were provided by the publisher. The first three volumes of Gen are available for free at the Gen Manga website.

Giving Back

This week, while news from the nuclear reactors and the resulting devastation from the earthquake and subsequent tsunami continues to roll in, please consider donating to your favorite charity involved in the recovery process. At this moment in time, there are not Japanese or American people, races, borders – only humans, who by working together, can save lives.

It has been 7 years now since I started reading manga, and it has been a wonderful journey. I have received in abundance from Japan, and now is the time to make sacrifices and help the people who have been hurt or dislocated by the tsunami to get back to some semblance of normal.

I have linked the banner to The Anime/Manga Blogger’s Shelterbox fund, so if you have even $5 to spare, please donate.

 

Have a good Friday!

News: Tsunami Wrecks Havoc On Japan

This is quicker post, but in case you missed it:

Japan has been hit by a major Tsunami following an earthquake that registered as an 8.9 on the Richter scale; while the full damage and loss of life from this deadly natural disaster is yet unknown, we do know that many of the citizens of Japan, especially those in rural areas, need help.

If you are interested in donating to charity that is reacting to the situation in Japan, here are some links that may help:

Global Giving has already raised $272k, and is looking to raise 850k total for aid to Japan: Click Here

Red Cross: Readers can donate $10 by texting REDCROSS to 90999 from a mobile phone, or donate a varying amount by going to Redcross.org

The International Medical Corps: Readers can donate $10 by texting MED to 80888 from any mobile phone or donate directly online at this link.

A donation, even if only $10, will help save lives and make a genuine difference in the lives of people struck by tragedy. As a community, manga fans have received high quality content from writers across the Pacific, and that system is at stake here, along with the lives and livelihood of many thousands of Japanese citizens.  As we all continue to pray or wish for the wellbeing of  the people of Japan, please consider donating to help those in need.

Thank you.

Update: Mari Kurisato is covering the events on her site, which you can access here. Daniella (All About Manga) Orihuela-Gruber has collected information and links for donations.

Manga Widget Investigates: Bloody Monday

In this episode of MWI, we are back to looking at series Kodansha has announced it will  publish during the summer of 2011. Last time, we looked at Cage of Eden, a shonen survival thriller with lots of fan-service. This time, let’s take a look at another manga that started its print run in Weekly Shonen Magazine, and will be part of Kodansha‘s arrival to stores in the summer of 2011 – Bloody Monday.

Bloody Monday is shonen crime thriller – the main character is a young hacker who uses his talents to bring down unsavory people and criminals in the underworld. His father is an agent of an elite anti-terrorist government agency, and occasionally the main character gets to work on hacking and decrypting jobs for them. Because, you know, this shit actually happens in the real world, and junior-high and high school kids get consult work from shadowy government agencies.

The plot focuses on a terrorist organization that is trying to apparently destroy all of Japan, using biological warfare. This organization is both covert and overt in its actions, and concurrently frames our young hero’s father for murder and places a female operative into the student’s school as his new teacher to keep an eye on him. This is an interesting plot point, because while we can see the main character working to track down these terrorists, we also get to see him interact with the antagonist of the series as if she is an ally. Depending on the writing, this could be very interesting plot construction, or it could be absolutely awful.

This series will undoubtedly draw comparisons to Death Note, a very successful manga from Viz Media, and this is almost assuredly why Kodansha has decided to bring this title along with its first batch of new manga series. The idea is almost exactly the same, although in Death Note, the main character was actually the terrorist, which is the opposite of Bloody Monday. What made Death Note interesting was the way that Tsugumi Ohba wrote her intelligent characters. The major reason why Death Note was a good read was the way that these intelligent characters were put into situations where they could be intelligent and do some creative problem-solving. Whether or not Bloody Monday catches fire like Death Note did in the US will be up to the first volume and whether or not the authors of this series can create interesting space in which intelligent characters can interact.

One of the problems I have with manga like these is that the intelligent main character needs to remain the same intelligence throughout the manga. It is one thing if he or she gets stumped by some various problem, but it is another thing entirely if the character is brilliant in one moment and mind-blowingly stupid in the next. While Death Note was good about this in the beginning of the series, there were some instances, especially near the end, that made me wonder why Light was so… dumb. I’ve seen rumblings about Bloody Monday that this sort of thing is a frequent occurrence, which could spell doom for the series if its major fans are those who like smart mysteries.

Bloody Monday is obviously at least a bit successful in Japan, so it must be doing something right. The series started publication in 2007, and ended at volume 11, and has now started a second season, much in the same way that Rosario + Vampire started a new season after ten volumes. Bloody Monday Season 2 is up to three volumes, and is currently serialized in Weekly Shonen Magazine.

Whether or not Bloody Monday makes it to a second season in the US depends largely on how well this first run does, and we will find that out when Kodansha releases the first volume in August.

Review: Not Love But Delicious Foods Make Me So Happy

When it comes to Fumi Yoshinaga, I’m fairly used to excellent manga. You could make a convincing argument that Ooku: the Hidden Chambers is one of the best titles, if not the best title in Viz Media’s Sig IKKI line (I might argue that Children of the Sea is better, but I digress). Likewise All My Darling Daughters and Antique Bakery offer a lot of great stories from one of the best mangaka currently in print in English.

Yoshinaga is also one of the few writers that is licensed by multiple publishers here in the US. Digital Manga Publishing was the first to pick up her work, while Viz followed shortly behind. Even TokyoPop is in on the game, having published some of her BL work in their Blu Line. Now, Yen Press has joined the crowd to bring us a one-shot volume of foodie manga titled Not Love But Delicious Foods Make Me So Happy.

Not Love But Delicious Foods Make Me So Happy is part autobiography, part restaurant review.The main character, Y-naga (yes, really) is a mangaka who draws BL comics, and spends almost all the time she isn’t sleeping or working out eating food with friends. Her fellow mangaka, foodie friends, assistants, and previous roommates all meet at nice restaurants and eat while Y-naga expounds on the virtues of young gizzard shad or shira-yaki.

One of the things I found most interesting about Not Love But Delicious Foods Make Me So Happy was that it functions as a restaurant guide. It gives you practical advice about places to eat in Tokyo, and tells you what to expect when you eat there. The afterwards to each chapter give you a little map to help you find the restaurant, along with directions, parking availability, and operating hours. Yoshinaga also gives advice about portions, select foods to eat, and whether or not the restaurant takes reservations.

While this book might be a helpful English guide to cuisine in Tokyo, that portion of the book is almost useless to the non-traveling manga reader. Still, that portion of this book is definitely a nice showcase for Yoshinaga’s ability to illustrate food, although at some places, that ability seems varied. Her depictions of foods in chapters #9 and #12 are very well illustrated, but the sushi in chapter #4 is a bit lacking. This is fairly nit-picky, but important in a food-based manga.

On Twitter, a few manga reviewers said that they didn’t care at all about the food portion of the manga, and focused solely on the character interactions. For readers not interested in foods, this is where any enjoyment, and perhaps the sole enjoyment, of Not Love But Delicious Foods Make Me So Happy comes from. Yoshinaga, as always, is adept at portraying characters that interact in a way that seems natural and polished without meaning to. It was very easy to move through this manga, even when people were spouting off about the true wonder of the food they were enjoying.

I do have issues with Not Love But Delicious Foods Make Me So Happy. First, I am not at all pleased by the way Y-naga and other characters talk about food. Almost every character in Not Love But Delicious Foods Make Me So Happy has moments when they fill an entire panel full of food text. This happens a bit in Oishinbo, another foodie manga, but in this case, Not Love But Delicious Foods Make Me So Happy has taken the act of the monologue to a new extreme.

Another thing I noticed is that it feels as if Yoshinaga wants to talk about her favorite foods, has written a manga to detail them, but she doesn’t want to feel like she’s teaching students or talking down to people. She spends the rest of her time drawing herself as an ugly, frumpy cartoonist or writes insults into her friends dialogue. This is… bizarrely psychological, and not necessarily pleasant.

Stepping away from the content for bit, Yen Press has shown that it has what it takes to deliver high-quality comics. Not Love But Delicious Foods Make Me So Happy is excellently produced, and has high ink and paper quality. The color insert at the front of the book was a nice touch which I enjoyed.

Overall, I think that Not Love But Delicious Foods Make Me So Happy is a fine showcase of Yoshinaga’s ability to write and create good manga, but because of the narrow way that its subject matter is presented, I can’t give this book two thumbs up. If you are looking for a comic that can show you a few good places to eat in Tokyo, then Not Love But Delicious Foods Make Me So Happy is a must-have. For everyone else, this book delivers a brief look into the world of Fumi Yoshinaga, and her food escapades, but doesn’t deliver excellence.

This review is based on a copy of the book provided by the publisher.

The 2010 Manga Widget Gift Guide

Continuing in the tradition of holiday gift giving, especially since some folks have already started to share gifts with friends and family, I have another addition to the list of manga gift guides that have been published this holiday season. Much like last year, I’m keeping most of my categories and picking out some new books for manga fans to try out.
But first – I will not be doing a “Best of” list this season – that list is this gift guide. The books I liked the best are the ones I will encourage you to buy. If you aren’t prepared to gift them, buy yourself a present with the gift card Aunt Sue got you. A good book is better than a Christmas sweater.

Manga Widget Notice: Please note that my list is inclusive of all series, books, and other media currently in and out of print – I did not want to limit myself to this year’s releases. Also know that this list represents my opinion, and not the golden guide to purchasing this season.

—–

Mainstream Comics fan

You’ve got someone on your list who loves The Fantastic Four or Watchmen, but hasn’t gotten into manga yet. Help them figure out what the manga craze is all about with a few of these seinen comics.

#1) Biomega, Vol. 1; Viz Media Sig IKKI: MSRP $12.99 – From the writer of the acclaimed action-thriller BLAME! comes Biomega, a series featuring a deadly virus that threatens to consume humanity, badass motorcycle stunts, a talking sniper bear, and some pretty spectacular graphics. Part of Viz Media’s Sig IKKI line, this book has an oversized format that is more akin to a normal comic book page size.

#2) DEMO; Vertigo Comics: MSRP $19.99 – Technically not manga, DEMO is what I like to give people before giving them a volume of manga. DEMO is a beautiful collection of short stories written by Brian Wood and illustrated by the extremely talented Becky Cloonan. One of the highlights to this series, besides the fact that it is awesome, is that it comes in black and white. Some comics readers need a transition, and DEMO can be an excellent one. Plus, it’s just good comics.

#3) Kurosagi Corpse Delivery Service; Dark Horse Comics: MSRP $10.95 - Sometimes the dead need help to move on to the afterlife, and that’s the job of the Kurosagi Corpse Delivery Service. Part Sooby Doo, part gristle, part Buddhist comedy, this is a series that defies traditional explanation and is a great book for those who like their humor a little dark.

#4) Gantz, Vol. 1; Dark Horse Comics: MSRP $10.95 – This made my list last year, and for good reason. This dark thriller combines super-human strength, erotic visuals, and some pretty fucked up imagery into an entertaining comics smash-fest. If Kurosagi Corpse Delivery Service is the filet of manga, Gantz is certainly the junk food. Not for little kids, but if you’re buying for a 18+ friend, this is worth a shot.

One-Shot/Comix

While plenty of indie manga is published in Japan each year, not much of it makes it across the Pacific to be translated and published in the USA. The stuff that does eventually make it is a bit of a grab-bag, but there’s a lot out there to love.

#1) AX, Vol. 1, A Collection of Alternative Manga; Top Shelf MSRP $29.95 – From the obscure to the obscene, AX defies all conventions. As a collection, it has both the sublime and the bizarre contained between its covers, sometimes in the same stories. As a collection, it is almost 400 pages of indie manga, and it’s a pretty quick read.

#2) A Drifting Life; Drawn & Quarterly: MSRP $29.95 -The manga-style autobiography of one of the most influential manga writers, Yoshihiro Tatsumi. The man revolutionized manga in the 1950s by developing the gekiga style of manga – blunt, sometimes traumatic slice-of-life stories that explored the real lives of Japanese citizens after WWII, and the dark underbelly of the booming industrial power that it would become. A repeat from last year, but still a powerful book that deserves to be on every comics lover’s shelf.

#3) The Quest for the Missing Girl; Fanfare/Ponent Mon: MSRP $25.00 – Jiro Taniguchi is one of Japan’s best writers, known for his powerful stories and well-developed characters. Recent releases include A Distant Neighborhood, which has been released in two volumes. The Quest For The Missing Girl is a powerful, 300+ page one-shot that examines the power of guilt and pride on a backdrop of mountain climbing, and it’s perfect for anyone who likes a gripping suspense story.

Classics

These could be powerful manga from years past, or new work breaking out of the comics scene in Japan; either way, these comics are breathtaking and a must read for any manga fan.

#1) Pluto Vol. 1; Viz Media Sig IKKI: MSRP $12.99 – A repeat from last year’s gift guide, the last volume of Pluto, volume 8, was published at the beginning of 2010. Last year I said that Pluto was the series of 2009. Pluto, throughout its run, delivered a powerful and consistent message filled with excellent characterization and suspense, and may well be one of the best series published in 2010. The series is a true wonder, and a great gift for anyone who appreciates Astro Boy, or for anyone who likes a good

#2) Chobits Omnibus, Vol. 1; Dark Horse Comics: MSRP $24.95 – CLAMP is the one supergroup that has had its manga published by almost every publisher in the USA, but its recent releases have tended to be from Dark Horse. A reprint of the series that made its first Enlgish debut in 2002, this omnibus is a great chance to introduce fans of xxxHolic and Tsubasa to an older CLAMP title.

#3) Ayako; Vertical Publishing: MSRP $26.95 – Tezuka, the God of Manga, does it again with this creepy, realistic portrait of post-war Japan and the perversion of the Japanese family and its values. A beautiful book, and one of my favorite manga of 2010, Vertical has printed another of Tezuka’s powerful symbolic manga in a format that is both beautiful on the shelf, and while reading.

Foodie Manga

Everyone loves food, and mangaka love to write about it. Check out these picks for fun food-based manga.

#1) Not Love But Delicious Foods; Yen Press: MSRP $10.99 – Fumi Yoshinaga’s love letter to the Tokyo food scene, this manga gives readers a glimpse into the various places to eat around Tokyo. An excellent gift for someone looking to do a little overseas travelling this season, but also just a good read.

#2) Toriko; Viz Media: MSRP $9.99 – Viz loves to print its food manga, and this book is no exception. Toriko, unlike other food manga, is not just about the meals, but rather, what it takes to get the ingredients to make masterful cuisine. Zany with just the right amount of Pokemon-like “gotta catch ‘em all” to keep you entertained, this is the shonen food comic of the season.

#3) The Antique Bakery, Vol. 1; Digital Manga Publishing: MSRP $12.95 – A repeat from last year, Antique Bakery is a fun comic with a lot of spirit from the great Fumi Yoshinaga. Yoshinaga-sensei loves food, and this, along with  Featuring some of the best looking sweets ever illustrated, Fumi Yoshinaga’s Antique Bakery is part (gay) love triangle, part baking manga.

All Other Manga

Whether you’re into ninjas, love triangles, magic swords, or space travel, these manga are sure to please. I’ve picked a wide variety of books this year, so try something new this Christmas!

#1) Bunny Drop; Yen Press: MSRP $12.99 – Other reviewers have called this the humor-less Yotsuba&!, but it actually is a cute, realistic drama that watches a new adoptive father take over the care of his grandfather’s illegitimate daughter. Unlike Yotsuba&!, also published by Yen Press, this series is more suited to the serious reader, but its charm will win over even those just looking for a laugh.

#2) Arata The Legend; Viz Media Shonen Sunday: MSRP $9.99 – There are plenty of good shonen titles available for purchase this holiday season, but the best new shonen series in my opinion is from the famed Yuu Watase. It follows two different boys named Arata from different dimensions who have been transported in space and time, and now must face the problems the other had in their own dimension. A great fantasy series with a hint of The Labyrinth.

#3) Itazura na Kiss, Vol. 1; Digital Manga Publishing: MSRP $16.95 Itazura na Kiss is probably one of my favorite series in print right now, for multiple reasons. Seen as a sort of genesis for some of the shojo tropes that we’ve become accustomed to here in the US, Itazura na Kiss finally has made it to Western shores in an omnibus format, which is competitively priced and great reading.

#4) Twin Spica, Vol. 1; Vertical Inc: MSRP $10.95 – Of all the titles any manga fan should read this year, Twin Spica should be the one. It is both poignant and fun, and it manages to be heartfelt and interesting at the same time. Bonus points for being about space travel. Vertical has done a great job with the translation and the books look great.

#5) Cross Game, Vol. 1; Viz Media Shonen Sunday: MSRP $19.99 – While normally I’m not a huge fan of sports manga, Cross Game really won my heart this year with its slice of life storytelling and excellent character development.  A story about high-school baseball, Cross Game also examines the lives of a few young students as they grow and mature. Written by Mitsuru Adachi, one of the masters of manga, this 3-volume omnibus is both a good deal and a good read.

Well, that’s it for this year. Hope you find your friends (or yourself) some new manga this holiday season. Happy hunting!

 

EDIT: Apparently some of the links were not going to the right books. This has (hopefully) been fixed.